From his gap-tooth grin to his recently released game ‘SQUISH ‘EM’ - wherein the aim of the game is to
kill cockroaches by well, squishing them with a cigarette brand of
your choice - noted larrikin Mac DeMarco inhabits the stoner/slacker
trope comfortably, except when he doesn’t. Sophomore albums are too
often touted as ‘coming of age’ narratives, but DeMarco makes it hard
not to draw your own conclusions when the first lines on the album
Salad Days are ‘as I’m getting older / chip up on my shoulder /
rolling through life / to roll over and die’. The twenty-something
angst gathers momentum from there, although as always, DeMarco
refrains from taking himself too seriously.
In Salad Days, it feels as though DeMarco is addressing a series of
man-children who may or may not be himself. The tenderly mocking ‘Blue
Boy’, which sounds a little like John Lennon’s ‘Beautiful Boy’ revised
for a hip young thing, addresses the painful self-consciousness of
youth, while the smoother groove ‘Brother’ pays homage to eighties
emo-pop while cautioning against hurrying towards middle age, and the
more melancholy ‘Treat Her Better’ channels some of DeMarco’s own
oeuvre, all queasy stoner-blues.
If that sounds like a lot of styles and influences, it is. Part of Mac
DeMarco’s style is eclecticism, both in the way that he treats music
history as a buffet, and in the instruments used – from slick
eighties-style keyboard on ‘Passing Out Pieces’ to what could be a
marimba on deceptively simple love song ‘Let My Baby Stay’. Generally,
what holds it all together is DeMarco’s wise-cracking tone – but even
that falters while crooning ‘what mom don’t know / has taken its toll
on me’. Still, you can bet that Mac won’t be wearing a quivery lip for
long, and neither, judging by the consistent and even mature output he
seems to be capable of delivering, will his listeners.