Decortica
have a new concept album on the way entitled ‘Love Hotel’ which the band says
is based on Japanese social institutions and garish city nightlife. To
elucidate the background to the album and everything else Decortica are
currently up to, lead singer and guitarist Mathew Bosher did an email interview
with UTR which you can check out below.
How
are you?
Great,
thanks.
Can
you please give us a little bit of background on the band?
We're a
three-piece alternative rock band from Auckland. Decortica has been together
for around five years, with our new drummer joining the ranks about six months
ago. We released our debut record "A New Aesthetic" in 2008 are have
just finished our second album "Love Hotel." Can't wait to release
it.
How
would you describe your sound?
It's a
riff-orientated band with a melodic twist. "Alternative" is a nice,
big umbrella to sit under, but I would say the new material is more
progressive, which has been a really rewarding development.
What
has Decortica been up to lately?
We've
just finished mixing this concept album, and are about to send it off to New
York for mastering. The crux of it was written and recorded fairly
effortlessly, I think due to having a really interesting theme and a strong
relationship with our producer (David Holmes - Jakob, Kerretta, Gramsci). We
then let it marinate for a while to develop all of the sonic and lyrical
elements really well. It's an exciting time in any band's career, and we're
just dying to show people the record and play these songs live. We've been
planning for a busy second half of 2010.
Your
new album ‘Love Hotel’ is forthcoming. What is the release date?
August,
I think.
You’ve
said that the album is based on an “inspired concept”. Can you tell us a bit
about what that concept is?
I got
really interested in the ideas of ennui, escapism and fantasy in an anonymous
context like hotels. I did a lot of reading and I learnt about these Japanese
"social institutions," love hotels, which provided the perfect
backdrop. So the album narrative is set in this otherwordly if garish city
nightlife. Rather than a linear storyline though, I wanted each song to be a vignette
in a modern sense; so it's image-heavy and observational.
Why
did you decide to approach the album in that way?
We just
wanted to make something interesting for ourselves and others. I enjoyed the
research as much as the writing: I read everything from manga to anthropology
books. Musically we had a lot of goals for our next record, and the production
was so good it really provided a cool platform for something equally ambitious
lyrically. All the elements resonated well together: you kind of get this
innate sense of the fluorescent lights, seedy streets, eroticism and melancholy
throughout.
In
what other ways is the album different from your debut ‘A New Aesthetic’?
"A
New Aesthetic" was a really unique experience: we turned a Raglan beach
house into a live-in studio for two weeks. It was one of the best times of my
life. The whole thing was completed quickly as far as albums go, and was a good
snapshot of the band. By its very nature, and also because we were recording
locally, "Love Hotel" was more considered with lots of short sessions
over a longer time frame. It matured into a well developed body of work. I also
think there was a certain freedom we enjoyed in embracing the progressive side
of the band; it gave way to some cool songs. Things like programmed drums and
synths were introduced for the first time too.
How
long did it take to write and record?
The
music was written over about three months, with some lyrics being finished much
later. We started recording at the end of September 2009 with a number of short
sessions over the following months. The main instruments were captured quickly
and then we took our time developing other ideas.
Where
did you record it and who with?
We
recorded it with David Holmes at his Auckland studio. He produced the last
record and he's just the ideal person for us. He invested a lot of himself in
the album too, so it was another really positive project.
What
is your writing/recording process?
It stems
from the guitar, develops like a conversation when jammed with the drums, melodies
arrive similarly, and lyrics are something I journal over time.
What
made you choose ‘Monster in a Pretty Dress’ as the lead single?
There's
an immediacy to it that people responded to, and it touches on lots of the
themes of the wider album.
Do
you have plans to tour the album locally, or overseas?
Definitely.
We're looking at a few trips to Australia this year as well as some cool local
shows.
What’s
your favourite thing about touring?
I love
travel.
Who
are you favourite bands to play with?
We're playing
with Battle Circus on May 22nd and they've always been good friends and great
to gig with. Our original drummer, my brother Daniel, is full-time with them
now, so it's really a family affair. There are a lot of really talented local
bands I'd love to play with and hopefully that will happen later this year.
What
was the best or most memorable gig you have played?
There
have be a few for different reasons. But I guess the first that is springing to
mind right now is at the Dog's Bollix sometime last year. It was a full house,
we were supporting friends, and it was the first time we debuted "Monster
in a Pretty Dress" which went down well. Just one of those shows where the
vibe was so good it all just became effortless.
What
are you listening to at the moment?
The new
Deftones record.
What’s
your dream collaboration?
I'd
actually really like to do something cool with Holmes. He's a brilliant
musician--it's kind of embarrassing playing guitar in front of him. And maybe
Josh Homme, if we're talking dreams here.
What
else does the future hold for Decortica?
We're
looking forward to playing the shit out of this new record and continuing the
musical journey. It was cool to have a particular focus for an album, and while
I haven't quite put my finger on the next vibe or approach, that elusive
quality is inspiring us to start writing again and go hunting for the sound.
The
state of music in NZ is…
Improving,
hopefully (in terms of infrastructure). Feels like there is a little
groundswell of great non-mainstream acts at the moment too, which is exciting.
By Gareth Meade