Mystery Girl and 95bFM are elated to welcome back to New Zealand...
C A T P O W E R
AUCKLAND
Friday February 22nd 2013 - Bruce Mason Centre
Tickets available 9am Friday 16th November from TICKETMASTER
www.ticketmaster.co.nz / ph 09 970 9700
Wellington
Saturday 23rd February 2013 - Wellington Town Hall
Buy on 9am Friday 16 November from TICKETEK
www.ticketek.co.nz
Tickets on sale Friday 16th November at 9am
She manages to mix her feminine allure with the other-wordliness of a reckless rock star, and fans love it. - NZ Herald
Sun is the new studio album from Cat Power. Six years after her last album of original material, Chan Marshall has moved on from her collaborative forays into Memphis soul and Delta blues. She wrote, played, recorded and produced the entirety of Sun by herself, a statement of complete control that is echoed in the songs’ themes.
Marshall calls Sun “a rebirth,” which is exactly what this confident, ambitious, charismatic record feels like. “Moon Pix [1998] was about extreme isolation and survival in the crazy struggle,” she says. Sun is dont look back, pick up, and go confidently into your own future, to personal power and fulfilment.
The music on Sun employs a sweeping stylistic palette: There’s the classic Cat Power haunting guitar and provocative vocal hook in Cherokee (“marry me to the sky…bury me upside down”); the irresistible Latin-sounding nine-piano loop of “Ruin”; upbeat, almost dancey electronic anthems like Real Life and 3,6,9; and the stirring, 8-minute epic Nothin But Time, featuring a vocal cameo by Iggy Pop. The swagger of “Silent Machine” brings to mind mid-70s Jagger, contrasted with the unusual, sparse production of “Always On My Own.” The narrative arc of the record is deeply optimistic; the music is defiantly modern and global.
Though devoid of grave bedroom confessionals, Sun is possibly Cat Power’smost personal album to date. For all its layered expansiveness, it is as handcrafted as her debut, and never has a Cat Power album so paralleled her personality and state of mind – channeling her humour, anger, deep empathy, musical inspirations, technical skill, and spiritual inquiry into an album that’s both surprising and comforting.
Those versed in the Cat Power discography will detect elements of 2003s landmark album You Are Free, which experimented with vocal forms and beats borrowed from urban music, and the spellbinding authority of songs like “American Flag.” Sonically, however, with credit to mixer Philippe Zdar (Phoenix, Chromeo, Beastie Boys), Sun is incredibly fresh, reflecting its forward-looking mindset.
Lyrically, Marshall has transcended the angst and self-absorption of her young self, but is still inspired by youth; much of the album is a plea for overcoming societal expectation and individual oppression. “Human Being” puts faint minor-chord fingerpicking over spooky, repetitive bass, with lyrics that could read as feminist – “you got a right to scream when they don’t want you to speak” – but are for anyone who feels they don’t have a voice. “Peace And Love” opens with a Nina Simone line – “peace and love is a famous generation” – then cites Black Flag, flips off people who dismissed her teenage idealism, and proudly concludes, “I’m a lover but I’m in it to win.” Similarly, “Nothin But Time” implores kids to look past today: “You’re just trying to get by, but your world is just beginning…it’s up to you to be a superhero, it’s up to you to be like nobody”.
Sun was recorded over the past three years in Malibu (in a studio she built herself), Silver Lake (in the Dust Brothers’ studio The Boat), Miami (South Beach Studios), and Paris (Motorbass), where she mixed with Zdar in Spring 2012.
Cat Power has been touring the world with a new band since late 2012, and we look forward to welcoming her back to New Zealand!
