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On their self-titled third album, CHON find themselves at the confluence of a great push and pull.

Since forming in 2008 in San Diego, the trio — guitarists Mario Camarena and
Erick Hansel and drummer Nathan Camarena — have become one of the most buzzed-about acts in the new era of progressive rock, on the back of more than 40 million Spotify streams and tours with the likes of Coheed and Cambria, Animals As Leaders and Circa Survive.

Their debut full-length, 2015s Grow, established their mathy, forward-thinking take on the genre, while 2017s Homey furthered that sound while incorporating brand-new influences like effect-pedal-heavy elements of electronic music and trip-hop and debuted at No. 66 on the Billboard 200. Now, with CHON, set for release on June XX through Sumerian Records, the trio once again have kicked down their musical guardrails — but in a way that balances their more eccentric impulses with a steadying dose of clarity and restraint.

We really wanted to make songs with more simplistic structures, but also the craziest parts weve ever had musically, Mario Camarena explains. I think our music is already so weird that when the structure is also crazy, it can be hard to follow. I really wanted this album to appeal to people who maybe dont listen to this style of music.

Its true that CHON streamlines some of the bands grandiose, free-flowing musicality in favor of more traditional sonic structures. But, most importantly, simplifying their sound doesnt mean resorting to being boring. If anything, CHON is brimming with some of the most forward-thinking, intricate musings the band have ever attempted, from the deep progressive propulsion of first single Peace to Spike, which spins the bands youthful tech and metal influences together into a flashy riff-athon.

All at once, CHON respects the trios current listeners while inviting a broader swath of new ones in — the rare progressive rock album adroit enough to straddle that line. For the band, it will be especially rewarding to bring this new musical mindset to crowds at festivals like Coachella, Shaky Knees and Electric Forest. There will be, of course, CHON diehards in the audience, but large-scale settings like these offer the band the opportunity to cultivate an even wider fanbase around their captivating sound.

Of course, theyre coming prepared: While writing and recording the self-produced album in San Diego, the band put a lot of thought into calibrating their new music to fit the expansive crowds they knew theyd soon be playing in front of. The result is a collection of songs that plays just as well to the front row as the very last.

We knew we were going to play these songs at big festivals, and it was in the back of our minds, Mario says, pointing to the tribal-inspired rhythms on Gift. We were just thinking of Electric Forest when we wrote that song: Its kind of psychedelic and hippy. Its going to be really fun to see how big crowds react to these songs. XX

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